Tom Holland: Next Fight,Record,Boxrec,Weight & Age

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Tom Holland: Next Fight,Record,Boxrec,Weight & Age

The “phenomenal” excitement among fans outside the London theater where Spider-Man star Tom Holland is appearing in Romeo and Juliet is not being matched by the reaction from critics inside.

The most glowing review – a five-star article in the Telegraph – said that Holland “fascinates” and “mesmerizes” as Romeo.

But at the other end of the scale, the Daily Express’ one-star critic called it “complete drivel” and described Holland as “a charisma-free zone”.

Time Out said the actor “certainly doesn’t disgrace himself”, while The Guardian said it was “a fine performance”.

Other critics also struggled with the performance, describing Holland’s Romeo as “fine”, “totally fine” and “entirely admirable”.

Overall, they were more enthusiastic about Francesca Amevuda-Rivers as Juliet, whom Time Out’s Andrzej Lukowski described as “great”.

He wrote, “There is a lightness about him that contrasts with Hollande’s frightened anger.”

Time Out gave the play four stars, saying that director Jamie Lloyd’s minimalist production is “brilliantly disturbing” and that it is “staged like a particularly stylish radio play”.

The Times was less impressed with what it said resembled “a conscientious but colorless radio drama”.
Awarding three stars, critic Clive Davis said Holland was “cool, fresh-faced and sensitive”.

He wrote, “In the early scenes he really makes you believe he’s a lost teen, just waiting to throw himself into a doomed romance.”

But in the end, he said, Lloyd’s production “sometimes felt too formulaic” and left the audience “more confused than captivated”.

Arifa Akbar of The Guardian also gave three stars and said that the two lead stars “are perfectly cast, fused with a strangely cool teenage energy, a mix of innocence and street-wise steeliness, she Drenched in sweat and trembling with sincerity”.

He wrote, “The chemistry is definitely there, even if it’s Jamie.

Next Fight

Variety’s David Benedict was not too keen on the production, which he described as “wildly uneven”, with “the excitement of love and youth completely missing”.
The play and most of the characters move at a slow, intermittent pace that breaks the rhythm and meaning of the script, Benedict said. “The exception to all this is Juliet…

“But Holland still lacks his presence on stage. He is entirely admirable as the lovesick Romeo becoming increasingly stressed and distressed, but he conveys emotion rather than conveys emotion.”
Elsewhere, The Independent’s Tim Bano went further and said that Holland’s performance was “disappointing”.

Bano wrote, “Holland comes in, a camera following him from backstage. He’s crying, sad, babbling. He’s a very sad boy in a tight white vest.

The footage, shot by cameras mounted on the stage and shown on large screens, has become a hallmark of Lloyd’s productions, in what Bano describes as “industrial chic”.

“Or it was charming when Lloyd first did it, but now it looks like an affinity for ventilation ducts.”
He further added, “If it had ended on a hiatus, it would have been fantastic. Instead, it becomes a matter of diminishing returns…

“As far as the ending, well, it’s a little disappointing. They die, but dramatically: earpieces out, eyes closed, sitting at the front of the stage like bouncers taking a nap after a long shift at a warehouse rave. Have been.”
He noted “the unprecedented scenes outside the Duke of York’s Theatre, where hundreds of fans stood behind the railings, waiting to catch a glimpse of Holland as he traveled from the stage door to his car, Waving like royalty”.

“I wish the show itself was able to match this energy,” he continued, giving two stars.
“Unfortunately, however, this is a disappointingly lifeless affair, which is somehow both overstated and understated.

“It must be stressed that this is in no way the fault of the actors – neither Holland, who is fine, nor Francesca Amevuda-Rivers, who plays Juliet.

Record

As a result, Holland gained entry into the Guinness Book of World Records as the youngest actor to play a title role in the MCU. Although Holland took some inspiration from previous Spider-Man actors Tobey Maguire and Andrew Garfield, he wanted to add something fresh to his reinterpretation of the character.

Boxrec

Deadline’s Baz Bamigboye also described the “memorable” crowd that gathered outside to catch a glimpse of Holland and girlfriend Zendaya.
He was indifferent about the production and the British actor, whom he said was “a perfect Jack-the-lad Romeo”. But a friend’s 13-year-old daughter “loved it all”.

“The thing is, this is the kind of production that will bring in young audiences. A new audience,” he concluded.

“They don’t want to sit through stuffy, traditional productions of the Bard. Theater now needs to excite young audiences so they will want to return.
“They want that bright, shiny rawness that Lloyd provides.”

The star power of the London production will be rivaled by another new version pairing Heartstopper’s Kit Connor with West Side Story’s Rachel Zegler on Broadway, which will open in September.
The New York show — with music from Taylor Swift producer Jack Antonoff — released its trailer on Thursday.

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